Showing posts with label racism. Show all posts
Showing posts with label racism. Show all posts

Wednesday, May 21, 2014

Why I Won't Stay Silent In The Face of Injustice

Some of you have asked why I'm making a fuss about the racist attack on my sister, my friend & me from a few days ago. So I'm sharing my Facebook status of a couple of days ago to explain what I'm hoping to achieve:

"In the last 48 hours, the sheer number of the messages of support, love and concern that I've received following that horrible racist attack on Sunny, our friend & me (thankfully they weren't hurt physically) has reminded me that I am privileged to count some wonderful people as friends and family. People from all around the world have reached out to express their shock, their support, their regret, and their love. For that, I am grateful.

There is another element in these messages, though, that worries and deeply upsets me; that so many people's messages included their own experiences of suffering racist abuse, whether in London, in the UK, or in other parts of the world. It infuriates me that this is something that people I love & care about have had to experience. It angers me that so many messages suggest that "this is just the way of the world." And it reinforces my resolve to not let this slide.

Bringing my assailant to justice is just one part of it; making sure that the Met Police change their behaviour when confronted by such an incident is more important for me. I am privileged enough to have a voice, to be the "right" kind of person whose concerns can get airtime & attention, and it is my duty to make sure that the next time someone calls the police after being attacked they are treated with more compassion and sensitivity.

And finally, as someone with a voice, it's also my duty to make sure that I challenge the sort of vile discourse currently playing out in the UK media, where immigrants are being demonised and racial hatred is being legitimised through the comments of all major political parties. Because to stay silent in the face of injustice is to be complicit in it.


Thank you all for being such amazing friends."

Sunday, August 01, 2010

Bending Race

So tonight I'm supposed to be in a good mood. I've had a great, relaxed weekend, watched some quality cinema, and also had an excellent first date. So this blog post should really shiny & happy, with lots of little gold stars twinkling at the edges.


Instead, this one is going to be a rant.

And the reason for the rant is pretty straightforward. For a change, it's not about something that's happened within my personal sphere of influence, but rather something that I saw in the public realm and that really, REALLY pissed me off.

So we're all on Facebook, right? (If you disagree with this statement, you're either in denial or just an imbecile for not remembering when you joined the site). And we all have friends whose photo uploads show up in our news feeds. And sometimes you find one that catches your attention, so you click on it.

And then, when the pic opens up full-size (or optimum size, if you must be technologically anal), you realise that it shows you something that makes your blood boil.

This picture below is what I saw, and when I saw it in full size, that's exactly what it did.

Now don't get me wrong. I usually love Glee. I think it's done wonderfully well in taking characters that are typically stereotyped in popular US TV shows and has brought them mainstream. So the characters in the show, despite being complete freaks by normal US social standards, are depicted as just "one of us" - young, ambitious, sometimes confused, teenagers who are misfits in their social surroundings for any of several reasons, and who really have the same dreams, aspirations and hopes that any human being of that age has.

So why the rage, you might well ask? Well - all I will do is point you to the third square in the first row. That's right - that's supposed to be Tina Cohen-Chang, the girl who has a goth fetish, a thing for Artie, and a voice to die for. Yet despite ALL the nuances of her character, she is reduced to being "the Asian one" for the poster. Not because there isn't more to her character - not by any stretch of the imagination - but because, when you're looking to identify her, it's somehow ok to call her "the Asian one" and get away with it. Note how the chubby black girl (see what I did there?) who plays Mercedes gets away with being the loud one, and even the whacky Mrs Schuester is granted the glory of THREE whole lines of text and gets to be "the one most likely to fake a pregnancy". So I guess we can't call "the fat black girl" that anymore, and we can't call the gays the gays, but those Asians - who f*cking cares? They're all yellow anyway.

Somehow though, all that the designers of this damn poster did when they pulled Tina's strap line together was that the only thing that seemed noteworthy about her was that she came from an ethnic group that currently makes up ~50% of the world population. WOW - WHAT AN INCREDIBLY UNIQUE IDENTIFIER FOR THE CHARACTER.

So this rant is probably slightly reactionary, but what amazes me, time and time again, is just how backward the US can sometimes be in its approach to race and issue. Other places in the world are getting better at this - though not by much - but somehow public culture in the US seems to stubbornly want to stick to retrograde definitions and identifications of race, culture and identity.

And for those of you who think that this is a one-off phenomenon, all you need to do is look at the current controversy around the latest "Avatar - the Last Airbender" movie, with its incredibly problematic lactification of clearly non-Caucasian characters, its controversial casting calls, and ultimate degradation of quality that has created a massive online backlash.

And you know what pisses me off most about this? It's that a show that has done so well with other issues that have been traditionally taboo in US television had to be the one that still fucked up like this.

Bah, humbug.

Saturday, October 24, 2009

Shoddy Scholarship is No Excuse for Stupidity

The UK media and blogosphere is currently convulsing over the BBC’s decision to let the odious head of the racist and xenophobic British National Party onto its leading political TV show, Question Time. I am going to spare myself the need to hold forth on whether the decision by the Beeb was appropriate, and will also refrain from commenting on the performance (for let’s not pretend that all the participants were not putting on a show for the eight million viewers who tuned in) on Question Time. I have been following both right & left wing commentators with some interest, if only because as an expatriate of non-Caucasian origin in the UK, the rise of the BNP within UK domestic and international politics has a direct impact on my decision to continue living in London and paying UK taxes.


In general, the tone of the comments have varied from anguished handwringing over how the BBC’s decision to provide a platform for the BNP was to legitimise its opprobrium in the national discourse, while others have focused on how the BNP is only becoming a force majeure through the inability of mainstream political parties to tackle “sensitive” issues like immigration. Occasionally, there are slightly more obtuse debates over why parties like the BNP have been able to take on a significant share of votes, focusing less on specific issues and more on conceptual frameworks.


Into this final space fearlessly strides Times journalist and commentator Antonia Senior. In a piece on Friday, 23rd October 2009, she claims that the reason that far right politics and views have gained traction is through a persistent and pernicious application of “moral relativism”, and an unwillingness on the part of contemporary (read white) Britons to take an absolute position on any issue (“I’m right, and you’re wrong”). She argues that this is primarily predicated on three factors: an unwillingness to be painted racist in a post-colonial world, where any promulgation of the virtues of a Western cultural standpoint smacks of racial and cultural imperialism, a sense of being “shackled” by the moral relativism inherited by contemporary British commentators, and due to a decline in faith across Western societies; it is much easier to adopt absolute views when you have a little faith – look at the US evangelicals so furiously arguing against gay marriage.


Before I get further into the details of her arguments, let me first preface my own comments by saying that in the entire maelstrom of comments that this 1 hour TV show have triggered in UK politics, Senior’s is one of the few that, by choosing to focus less on specific (and perhaps therefore limiting) issues, and more about public discourse and wider narratives, as well as the underlying philosophical and moral frameworks that underlie them, provides an interesting analysis of UK debate and the mores that underpin it, both in mainstream and virtual media.


Unfortunately, merely undertaking some form of intelligent discourse analysis is not sufficient, especially when the conclusions that are reached are as flawed as Senior’s. She argues that contemporary debate is heavily tinged by moral relativism, a framework that, according to her, is intellectually bankrupt within philosophy itself, and that it is “incoherent, logically flawed and utterly tired.” The only reason it has any currency today in wider debate is because it prevents the awkwardness that is triggered by taking on moral / ethical absolutism. How very British indeed – let’s adopt a philosophy that helps avoid embarrassing moments over afternoon tea.


The problems with her article are so numerous that it is difficult for me to find a single space to begin. Perhaps her entire premise is exposed in the single sentence, “The relativist’s position is that all cultural views are equally valid, unless your culture is that of a white, male racist.”


Actually, NO. Relativism, when applied properly, and FULLY, turns around and says that all cultural views are equally valid, but – and this is where Senior misses the point – within their OWN frames of reference. Therefore, if you want to be a bigoted white racist, that is your issue, provided you apply it to YOUR framework. So if you DON’T want to hang out with black or brown people – don’t. That does NOT mean you stop them from entering your local pub, since that local pub may be a part of your framework, but it is not exclusively of your framework. So if you don’t want to sit next to a darkie, then don’t go to the pub; stay at home, which is (hopefully) exclusively part of your framework. If, however, your adult daughter decides to start dating a black man, that again becomes a problem, and your home may also no longer be an exclusive part of your framework. The point is this - moral relativism does not define the rules of engagement between differing world views, does not say that violently disparate opinions must mutually coexist, or that “everyone must get along”. Moral relativism merely states that all opinions and perspectives must be viewed within the prism of their individual circumstances. So in our example, moral relativism doesn’t tell you how to get along with your daughter’s black boyfriend. It does turn around, however, and say that within your world, if you want to hate a black person, that’s your issue. Don’t make it your daughter’s.


Yet another problem with Senior’s article is that she manages to confuse moral relativism, as propounded by thinkers like Sartre, with moral nihilism, which seems to assume the absence of an objective (universal?) morality. So very few cultures, if any, seem to suggest that theft is acceptable; is this an example of multiple cultural moralities co-existing, or is it the case that there is perhaps a “meta-morality” that pervades across all cultures? In either case, Senior seems to argue for abandoning what it has taken decades of philosophical and intellectual effort to achieve – the ability to adopt non-ethnocentric frameworks when assessing different cultures, and to be able to move away from imperialised racist constructs when approaching anthropological and cultural studies – to adopt the classical 18th and 19th century white European approach which looked at all non-European cultures as those of “noble savages”, that placed the burden of a civilisational mandate on the white man (a.k.a. the white man’s burden) and to speak of rights and wrongs.


Perhaps not unsurprisingly for someone who advocates the abandonment of moral relativism, is that Senior then goes on to commit the even greater crime of essentialism; the idea that a complex, multifaceted concept like “culture” can be reduced down to a single practice, on the basis of which it can be judged as being superior or inferior to another culture. She does this through her use of the example of female genital mutilation in Middle Eastern and African cultures. Senior’s rationale is that the prevalence of a moral relativistic framework within the UK prevents feminists from taking on a practice that is harmful to millions of women. It can only be shoddy scholarship that lets Senior take a massive leap here with the statement,

Take female genital mutilation. I think it is an abhorrent, evil crime. Yet the woman slicing out the clitoris of a child with a rusty knife thinks she is doing the right thing. Clearly, one of us is absolutely right and one of us is deluded. If your culture believes in genital mutilation and mine does not, then my culture is right and good and yours is wrong and bad.” (emphasis mine)


What Senior does in this seemingly innocuous statement is incredibly dangerous. To turn around and assume that because a particular practice (in this case, FGM) is prevalent in a specific culture, EVERYTHING within that culture is equally horrific, and therefore available to be judged in terms of right vs. wrong, good vs. evil, drags us back right into the 18th century. Her analysis here is equivalent to someone turning around and saying, “It was a Christian German culture that provided the cultural and political framework for the rise of the SS and the Nazis within Germany, which in turn led to the mechanised murder of 12 million people in Europe, including Jews and Roma, therefore everything in German culture is bad, including Nietzsche, Bach, Schopenhauer, Beethoven, etc.”


But you see, nobody would say that, because all good British commentators are well versed with the wonders of German intellect and their enormous contributions to European culture. Therefore any analysis of the rise of the SS and anti-Semitism within Europe is carried out with much greater intellectual honesty and with careful scholarship. It is much easier, when operating from within so clearly a Eurocentric worldview to dismiss other cultures, other voices, other narratives as being “wrong and bad”, and to get away with statements like the one Senior makes.


If I was to even step away from the mediocrity of Senior’s scholarship, though, I could perhaps find it amusing how her own theory does not hold to the whole BNP debate. To assume that the reason the BNP are able to occupy an increasing space in UK politics is due to an inability of other politicians to turn around and say, “You’re wrong” is clearly NOT borne out by the one hour of badgering that took place on Question Time with Nick Griffin. I personally struggled to see a single instance where any one person addressing Griffin didn’t turn around and say, “well, you’re not really wrong, but..”


Senior’s column in many ways makes me despair of leading publications in the UK. There are so many well (possibly over-) paid commentators in all the leading papers, and most of what they publish is such bilge that its quite depressing. Perhaps that is why I am increasingly beginning to rely on the blogosphere for intelligent analysis, as opposed to the mainstream media, who I now only really trust with breaking news (though after the balloon boy fiasco earlier this week, one has to question the wisdom of even that decision)

Sunday, January 21, 2007

Shilpa Gate - Thank God!

Ding dong, the witch is dead,
Which old witch?
The wicked witch!

(Lyrics from The Wizard of Oz)

Thursday, January 18, 2007

Shilpagate - Apoplectic over Poppadums...

In the continuing racism row over Celebrity Big Brother, today has continued to throw up more twists and turns. (Okay, I KNOW I should pay more attention to more pressing issues, but unfortunately, racism against a Bollywood actress and an Indian in a foreign land, Ye Olde Blighty to boot, is important to me!)

The highlight of the day has been Carphone Warehouse revoking their sponsorship of the programme. I suspect Channel 4 will need to rethink its strategy a little, and think whether trying to milk blatant racism for soaring viewership is necessarily the way to take this forward. So, as my favorite CBB watcher, India Knight, has pointed out, Carphone Warehouse has managed to demonstrate that despite all the flak that capitalism gets, large corporations can and will demonstrate ethical and "moral" behaviour where necessary.

The lowlight (if such a word exists) is learning that the racist slurs continue to be flung at la Shetty in the house. Today, the poor woman had the misfortune of being labelled "Poppadum". HOW Channel 4 can pretend that this is NOT a racist insult is beyond me. But then, the world of media is a strange and difficult one, so maybe they know something us petty mortals don't.

Watch this space - both the chief racist instigator and la Shetty have been nominated for eviction tomorrow. The results tomorrow will say a lot about British society, and the verdict will be closely watched by political commentators around the world (not least in Patna, where protests for la Shetty were held on the streets, with the customary effigy of the Big Brother producers incinerated on the street).

Shilpagate - Celebrity Big Brother's Ugly Underbelly

You can always gauge what’s big news in the UK by the contents of the gamut of free evening papers like “London Lite” or “The London Paper”. On the way back from work today, most of these free publications had enormous taglines about the row on Celebrity Big Brother involving Bollywood star Shilpa Shetty. This morning’s Metro also had a full cover story, with a picture of Shetty in tears after yet another round of brow-beating.

In addition to being raised in the UK House of Commons, noted by UK Chancellor Gordon Brown on a trip to India, and commented on by the Government of India’s Junior Minister for External Affairs Anand Sharma, the issue has raged on the internet and news shows for the past twenty four hours. The key issue in question is whether the abuse and intimidation that Shetty is being subjected to by several UK housemates qualifies as racism, or its apparently less sinister cousin, bullying.

Fellow Desicritic Sakshi feels that the issue is one of bitchiness, not racism. I would however, beg to differ. The issue isn’t just that Shetty is being subjected to intimidation – that much is obvious. The issue at stake here is that for whatever reasons that might have caused the coven that have ganged up against Shilpe to have developed a dislike for her, they are choosing to act on that by picking on things that are blatantly racist. To refuse to identify her by her name, to generalise about Indians as a whole on the basis of their interactions with her, to tell her to “f*****g go back home”, and to “go back to the slums” is nothing if not racist. The motivations behind making those statements may or may not be racist – that is not what I question at this point. However, the manner in which the feelings of the coven are verbalised is definitely racist, and as a consequence totally unacceptable.


Unfortunately, Channel 4 seems to have decided that it will try to milk the controversy for all its worth, and by trying to adopt an attitude of feeding clippings to the public that will fuel the controversy are trying to milk the situation for all the viewership ratings it can get.

There have been some discussions of whether Shetty needs to be more aggressive in her reactions to statements from the coven. Funnily enough, when I hear that, I remember something that my mother told me when growing up – that by reacting to people in their language, you only reduce yourself to their level, and that does you no favours. Shetty has shown incredible restraint, resilience and much more class than any of her persecutors.

I only wonder how long it’s going to be before things get so ugly that external intervention is required. I am amazed that the producers of the show can sit back and let the behaviour that is rampant in the house continue without doing anything about it. I struggle to think how far this can go – will we need to see Shetty physically attacked by the deranged coven before they intervene? (Though given that she’s a black belt in karate, I wouldn’t mind seeing her kick some chav a**)

But what is worth investigating in some detail is what drives this victimisation of Shety. Perhaps not surprisingly, it probably stems from the insecurities that she creates in the coven. But more importantly, those insecurities are driven by the fact that she does not fit the classical stereotype of what South Asian/Indian women are truly like. British media and culture have incredibly static stereotypes of what Asian women are supposed to be like, and very few women have managed to take those stereotypes on. Her jamawar draped figure is in contrast to the standard Goodness Gracious Me or The Kumars & No. 42 imagery of slightly dumpy middle-aged women, who are neither glamorous nor sexy, and therefore non-threatening if you’re an aspiring beauty queen. She is incredibly articulate, but while this is okay if you’re a BBC newsreader or reporter (e.g. Nisha Pillai) it is at complete odds if you’re a UK celebrity – take a look around, and you will struggle to find a single female UK celebrity that is articulate, beautiful & successful. Try adding the adjective, “brown” to that set, and you’ll hit a total blank.

To top everything else off, Shetty isn’t even consonant with the only image of a glamorous South Asian woman – Amber (played by Laila Rouass) in Footballers’ Wives; a character that is sexy and incredibly intelligent, but nasty, shrewish, conniving and vicious (“a Bollywood freak show” is one of the terms used to describe Amber’s less than savoury character)

Unfortunately, Shetty fits none of the stereotypes currently available to the UK masses, and is therefore that much more threatening. To top it all off, her privilege grates a large proportion of the UK’s white working class, which is resentful of the upper class & bourgeoisie anyway – to then have that posh-ness on display from a “brown” woman, someone who is subconsciously thought of as being less than them, is even worse.

So we have four disgusting, ill-mannered (and dare I say it, ill-bred) scumbags ganging up on a woman who is much better educated, more talented and classier than all of them put together, and try to “take her down” a few pegs. Unfortunately, the policy has backfired on them, and the sort of dislike generated in the majority of viewers should hopefully see all of them evicted sooner rather than later.

The only positive in this entire fiasco is that for a change, the blatant racism has not gone unnoticed. India’s growing economic clout has made this incredibly problematic an episode for the UK. The country is desperate to be seen to be multicultural, and currently has its Chancellor and PM-in-waiting Gordon Brown on a trip to promote trade & investment. The furore in the press and the concern expressed by the Indian Government over the appalling treatment of a woman who had gone to be a representative of Bollywood & India to the UK has made what could have been a UK media incident a global diplomatic embarrassment. It remains to be seen if the Government will choose to intervene or not.

Until then, all I can say is if you can vote, please vote to keep Shilpa in the house – after all that she’s been through, she deserves to win!

Check out fellow blogger Sunny's comments on Shilpa and the star narrative here

Also check out The Times weblog on Big Brother here - I love India Knight!!